Glen Velez,
widely recognized as the world's leading authority and
performer on the frame drum. On record and in performance,
Handance mesmerizes listeners with its virtuosic playing
that blends styles from Egypt, South India, Central
Asia and the Middle East into an intricate polyrhythmic
exploration of the power of group drumming.
In concert, Handance creates a vibrant musical experience
as the performers, Glen, Shane Shanahan and Yousif Sheronick
use their hands to strike, tap, snap, rub and brush
sound from their instruments, while accompanied by some
of the leading melodic soloists of our time.
The instruments of Handance are as diverse as the groups
influences. They include the Tar, frame drum from North
Africa, the fish-skinned Riq, tambourine from Egypt,
and the large, hoop-shaped Bodhran from Ireland, to
name a few.
Over the matrix of rhythmic interplay which the drummers
produce, a spell of melodic invention is cast by such
world renown soloists as, Sonny Fortune (Miles Davis,
McCoy Tyner, George Benson), Steve Gorn (Paul Simon,
Jack DeJohnette), Howard Levy (Bela Fleck, Kenny Loggins,
Dolly Parton), V.K. Raman, renowned South Indian flutist
and extraordinary newcomer, rhythm vocalist Lori Cotler.
Handance’s CD, “Rhythmcolor Exotica”
(Ellipsis Arts) was featured in Billboard, described
as, “ Weaving together colorfully diverse musical
fabrics...a work of poetic beauty.”
The Handance sound is at once energizing and hypnotizing.
You are held and moved to dance by the music's central
pulse while being carried away by melodic improvisations
and Velez’s mystical overtone singing. The prolonged
ringing and multiple overtones of the groups frame drums
make for a ecstatic sound rarely heard in percussion
music.
“East-West hybrids that combine a Western sense
of proportion with non-Westerrn improvisations and meditative
depths -- music that earns a place between two worlds.”
- The New York Times
|
“East-West
hybrids that combine a Western sense of proportion
with non-Westerrn improvisations and meditative depths
-- music that earns a place between two worlds.”
- The New York Times
|